69 Cities - Episode 14: Canterbury

Hinzugefügt: 2026-05-22

[00:00:00]This episode is dedicated to Dave Fudge, the host of the Thomas Becker Open Mic, who sadly passed away not long after this episode was shot. I'm grateful to have had the opportunity to meet such a kind and well-loved man, musician, and curator of music. My condolences to his friends and family.

[00:00:20]Hawk, does thou wish to come on an adventure with us? We're on a pilgrimage to Canterbury to meet the Clangers, to find the oldest working church in the English-speaking world, and on the way to meet one of my favorite musicians.

[00:00:32]All in today's Canterbury tale. Are you ready, pilgrims? Let us fair merrily.

[00:00:40]We're on the road to heaven knows groovy.

[00:00:47]Those city lights and pretty sides, they're bound to move me.

[00:00:54]It's just six tenacities.

[00:00:58]It's just six tenacities.

[00:01:01]It's just six tenacities to get home.

[00:01:18]69 Cities is a musical van life adventure where we're going to every city in the UK to discover unsigned independent musicians and share them with the world. Hello. So, I'm here at Dalston Curve Gardens. Um, never been here before. I'm here to see Draeli do his solo show and I'm really excited. I drove all the way down to London just for this 200 miles. It's my reward for not getting a Glastonbury ticket. This place looks pretty amazing. I'm going to show you around.

[00:01:48]Just a quick note to say that after I completed this episode, Dizraeli changed his name to Diz Undone for a series of very interesting but complex reasons linked in the description. It's a bit too baked in to change now. So if I say this is his old name, I'm referring to Diz Undone. I'm sorry. Diz.

[00:02:03]>> God, they're playing John Martin. That is always a really good sign.

[00:02:09]Yes. So, I found myself amidst the beautiful Dston Curb Gardens. It was a venue that feels honestly the opposite of London, making it quite appropriate.

[00:02:20]It was to be a night of heavy rain and insufficient gazebo space, leading both artists to invite the crowd onto the stage with them. There was a magic in this.

[00:02:33]See him where the god's infested faith was holding there to hold on eyes and see his presence so clearly with the animals that the wild just takes for too Oh, he's thinking about the room that he grew up in. The place that he could understand.

[00:03:21]Oh, he's thinking about the room that he grew up in. The future that he never planned.

[00:03:30]Oh, he's thinking about the room that he grew up in.

[00:03:38]Oh, he's thinking about the room that he grew up in.

[00:03:45]Hold on.

[00:03:49]Don't you hold it too tight.

[00:03:54]We're back and forth. We're learning to embrace it. doesn't always feel right.

[00:04:03]Eyes in see his presence so clear talking frankly with the animals that the wild takes for too long.

[00:04:30]This is amazing. So, the crowd literally just moved the gazeos and uh >> now we're right next to the stage. What are the odds?

[00:04:40]>> I knew that Draeli was going to be a great show, but nothing prepared me for what was about to happen. Running in the morning light. I'm trying to catch you falling tight. Running in the morning light. Pressure out the window.

[00:04:56]Running in the morning light. I'm trying to catch a seed of time. Running in the morning light.

[00:05:05]Pressure.

[00:05:08]Look, I'm not particularly deadly. If I carry arms, I'm not afraid to use. Being I'm a doer. I'd be doing balls deep, clambering the cliffs in a scruffy set of shoes. So don't invite me to your pony little dinner. Though I am pretty handy with your clothes. See me in the cellar with the swingers. They got more my scene. Come strip me of my clothes cuz I can hold a bow for minutes, even hours. But eventually something sour, something flings itself around me yelling out. It's time to freaking wiggle out. trousers pulling people out their pouches running in the morning light. The marsh land couldn't give a frig for me. This is a space out of history. Bury my visage in its mud holes. And when the day rises, I have struck gold. Geese fly in celebration.

[00:05:55]That's my church. I prefer the wind over any kind of audience. When I chat my verse, I launch my soul. People say there's madness in the heat of my performance.

[00:06:06]Maybe. So maybe there'll be sorrow on my death stone. Maybe I'll be geriatric, not a bombing Tesco. At least I have been honest from the get go. I'm honestly the opposite of London. Running in the morning light, trying to catch a fall inside.

[00:06:22]Running in the morning light. Pressure out the window.

[00:06:28]Running in the morning light. Trying to catch a seat of time. Running in the morning light.

[00:06:39]Look, daddy was a preacher man. Spoke the Holy Ghost at peace protest. We reclaimed the streets together. Sweet Moses part the asphalt. Tell it like a town cryer like the fuse. They'll never teleise the news. What he taught me. He born in 1940s. Truths that he had to fight to find me born in thatite decline. Same appetite for life. Learn sanity from catcher in the r stamina is mine.

[00:07:03]The wild animous, the caravan standing in the vines. The grizzly bear is mine.

[00:07:08]The pistol and the steam forever back in Bristol in my dreams. And the world is often ending in them. And that is often cause for joy. I'm backing adolescence in a hall of noise. Banging a snare drum, clocking how they murder us slow.

[00:07:21]Dad, come. We've got further to go.

[00:07:23]Running in the morning light, trying to catch a falling tight. Running in the morning light. Press her out the window.

[00:07:34]Running in the morning light. Trying to catch.

[00:07:40]Running in the morning light.

[00:07:44]Singing if you know it. Running in the morning light trying to catch a falling time. Running in the morning light.

[00:07:53]Pressure out the window.

[00:07:56]Running in the morning light. Trying to catch the seed of time. Running in the morning light. Push far.

[00:08:09]>> You're an hourong med.

[00:08:12]>> Take me.

[00:08:14]Take me dancing.

[00:08:17]>> Take me from this place where I can't even brea.

[00:08:23]>> Oh, take me.

[00:08:26]Take me dancing.

[00:08:28]I've got no one to pray to. I'm on my knees.

[00:08:38]Say now when you say it away, let me tired of running. Turn around.

[00:08:59]Take me.

[00:09:01]Take it out.

[00:09:04]Take me from this place forever.

[00:09:10]Oh, take me.

[00:09:12]Take me dancing.

[00:09:15]I'm no one to pray to. I'm on my knee.

[00:09:20]Where the be sail away now.

[00:09:24]>> Sail away now.

[00:09:26]>> When you say away, let me be yours.

[00:09:30]I am tired.

[00:09:33]Tired of running.

[00:09:36]Tired of screaming. I'm tired of being ignored.

[00:09:54]>> International Gospel Champions 1992 to 1998.

[00:09:59]>> So, the gig was absolutely amazing. I got a vinyl and I got to meet a different lady as well and he was as sound as you could possibly hope for.

[00:10:10]You know when you're a little bit scared to meet somebody because you you've got a lot of feelings for their music and you're worried. I didn't have to be worried. Lovely lovely fellow. It's been a beautiful night. It's been so good.

[00:10:23]I'm so happy my train's here so I better get on it. Running in the morning.

[00:10:31]>> Well, I'm back in the van after a lovely night and I've got this lovely LP I bought from Draeli wrapped in cling form because of the rain. Fortunately, he signed it, but it's all smudged. You know what? I don't mind because it kind of fits the album artwork. And um I've got the memory in the story, which matters more. I'm never going to sell this anyway.

[00:10:56]I'm going to go start driving now, I think. Um, and I'm going to aim for Canterbury. I'll see you in a bit.

[00:11:09]A quick pause for a special 69 Cities announcement. Over the time that we've not been publishing, I've applied for an Arts Council England National Lottery project grant to film and edit the remaining 39 episodes of 69 Cities. and we got it. Which means from now on, 69 Cities is going to be my job and hopefully within the next 3 years, we will have the full series out. There's a few episodes that we already made before we got the grant funding that going to come out first. And as the Arts Council money kicks in, you're going to notice a considerable upgrade in the quality of these episodes. So, thank you so much to Arts Council England and the National Lottery. We're back on the road.

[00:11:52]So, I parked up in the sleigh by last night. Let's see what it's like.

[00:12:00]Oh, lovely.

[00:12:07]That is a class layby. I like it. This layby is a really beautiful place to wake up in, but park for night did warn me that it was a local docking spot. Um, it was far too wet and rainy to worry about any of that when I arrived last night. So, oh yeah, here's the evidence.

[00:12:30]Blueberry.

[00:12:37]Right. So, I found a Morrison's here and it's got a swimming bath next door. So, that might be a good place to shower.

[00:12:44]There's something I got to get off my chest here. Right. I've just been into Aldridge Leisure Sensum and I asked them like, you know, if I could pay for a shower and they said that would be £710 to pay for a shower because I've got to rent a lane swimming session. So, I've got to drive another 8 miles now to get to a motorway services to shower. They said they did used to let people shower there, but people were taking the piss.

[00:13:08]I can't help but think this is a community facility, right? Who is more in need of a community facility than people who can't afford to shower?

[00:13:17]People who are homeless, people who are traveling. Oldish leisure center. You have failed in your purpose.

[00:13:24]My zen point. Let's go. You're not going to believe this. It's happened again.

[00:13:30]I'm just seeing 69's everywhere now.

[00:13:33]Apart from unfortunately not in the dogging layby.

[00:13:47]Okay, it's time.

[00:13:54]Let's get out the bicycle.

[00:13:57]So, I'm going to cycle into Canbury and uh have a little bit of an explore. I really need to buy a bike helmet.

[00:14:10]Think I'm getting close to the center.

[00:14:11]This is picturesque.

[00:14:14]So, this is fascinating. You can see this is where the old mill wheel would have gone and rotated from the pressure of the water and the axle is still there.

[00:14:26]So, that would have been a mill once.

[00:14:28]And on the other side, you got the miller's arms.

[00:14:31]Miller looks like a grumpy bugger, though.

[00:14:36]I loved cycling into Cansbury on my 60-year-old rattling bike, and I soon found myself in the beautiful city center at the Beanie Museum. I think my adventure needs to start here.

[00:14:48]I have heard a lot about this place or Museum of Free Library, founded in 1858, or the Beanie House of Art and Knowledge, one or the other. Just want to take a second to admire the detail on this building. It's absolutely gorgeous.

[00:15:10]I met my baby in a Wilkinson store.

[00:15:15]Got in a squabble over washing powder.

[00:15:20]Her eyes they twinkled and she gave me a smile.

[00:15:25]I lips collided in the furnishings.

[00:15:28]Whoa. Yeah.

[00:15:32]Yeah. Yeah. Yeah.

[00:15:33]>> So, this rook has a really interesting story.

[00:15:38]What happened is these children caught it and they put this red coat on it as a prank and um what happened is this flock rejected it, start bullying it and making an awful lot of noise and pecking it. Made such a commotion the keeper came and shot it and um some of the other rooks as well. But I think it's a really interesting story. Firstly because of the impact of a very small change, but also because it's very interesting to see how just a small change in color of a bird can result in the rejection of the flock. And I think that's maybe quite similar with humans.

[00:16:19]Baby, my sexy baby.

[00:16:31]This double pistol hand gauntlet with flip out knife looks like it came out of the medieval equivalent of a Guy Richie movie. Now, this is my personal award cabinet. I happen to have won all of these awards.

[00:16:43]This is the one for being slightly awesome. So, they won for being slightly more awesome.

[00:16:49]This is the one for being exceptionally awesome.

[00:16:52]There's medals I just get for each day of being alive.

[00:16:57]>> How very generous. Now this is cool.

[00:17:00]This is a duckling with four legs.

[00:17:03]That's the kind of entertainment I want to see.

[00:17:06]It's been adopted by a infant school nursery.

[00:17:12]So this is the dead animal fellow doing his thing in his grand staircase. It does seem very Victorian to just find something really cool and kill it.

[00:17:23]Look at all these snakes in jars.

[00:17:26]Oh my god, they've even taxiderermized clangers.

[00:17:30]Poor Clangers.

[00:17:33]They hadn't, thank goodness, taxiderermy the clangers. This was in fact an exhibition of the work of small films.

[00:17:40]This world famous TV production company consisted of two men in a shed, Oliver Postgate and Peter Ferman. They made stopotion children's television shows using both cutout paper drawings and models with armatures. The shows that they created together are still wellknown and beloved today. So, this is the shed that they made it all in. And this is the set.

[00:18:04]I love how they're using National Dried Milk as a light diffuser or something like >> their filmography was huge and included such children's favorites as Ivore the Engine, Nogin the Nog, The Clangers, and Bagpuss. My absolute favorite when I was growing up was The Clangers. And the few episodes we had on videotape I watched over and over again. The Clangers were described by Oliver as a small tribe or extended family of mousel-like persons living their peaceful lives on, in, and around a small undistinguished moon.

[00:18:35]They make interesting inventions and live strange little lives, which to a young aspiring inventor was so wonderful. The characters themselves were knitted by Peter Ferman's wife, Joan.

[00:18:46]Now, doesn't he?

[00:18:48]>> My next favorite is Ivore the Engine, a young railway engine in a sleepy Welsh town who starts suffering from depression when he realizes his yearning to sing in a Welsh choir, but he doesn't have vocal cords.

[00:19:01]I thought the engine was animated by moving small pieces of cutout paper and the editor tool on 16 mm, this tiny little editing desk.

[00:19:13]and they filmed it with this camera.

[00:19:15]Oliver used a 60 mm Bolex camera which he converted into a single frame camera using various bits of macano and an electric motor. So clever this little stop motion clicker that they built and added to the camera. They've got a frame counter down here so they know exactly how many frames they've done. Here's the armatures and the one microphone they used.

[00:19:47]I am loving the dressing up clothes. I think this should be my future outfit for just general wear and tear. I'm loving the feather. Don't know if that's meant to go at the back or not. To lace or not to lace, that's the question.

[00:20:10]If you like the exhibits of this museum, come to the beanie and you can see them.

[00:20:20]That's all I've got to say at this point.

[00:20:24]What on earth is going on here? These freaky fragments of stained glass were collected from churches of Antworp and Amsterdam by Edward Spencer Curling and they were gifted to the Canterbury Philosophical and Literary Museum in 1829.

[00:20:38]I'd love to know what these bizarre little glass paintings represent.

[00:20:48]Won't be 69 city without a bit of vinyl shopping.

[00:20:53]A swirl of a kilt from Jimmy Shandon is burning. So, I'm stuck inside a charity shop um cuz of this torrential rain. But this is quite a little beautiful little scene out of the door. And this is the original little mosaic coming into the shop. Even when you're stuck in the rain, there's some nice things to see.

[00:21:13]>> I treated myself to pizza and let the rain pass.

[00:21:17]>> That's really good.

[00:21:26]>> It was only later on that I found out the fascinating story of this 13th century grade one listed building in its gargoyles. There's an old apocryphal story that it used to be a brothel and the distressed gargoyle at one end is a customer before entering and the happy one at the other is a customer exiting.

[00:21:42]Now it's a present mon so maybe they should swap them the other way around.

[00:21:47]That joke is so mean. Pret's food is fine. This is pretty spectacular.

[00:21:54]It's like our stone boat back home but it's it's been painted.

[00:22:00]That's really cool.

[00:22:11]It's a little bit hilarious. Who buys this stuff? Oh, and Corgi toys. So, I was hoping to show you Canterbury Cathedral because I thought if you're coming to Canterbury, you got to see the cathedral. But it's £16. £16 a ticket.

[00:22:26]Uh, which I think is a little bit ridiculous. Anyway, the man said that after 5:00 you can come and you can look around the the cathedral for free. Uh look around the outside and if you come at 5:30 you can join for the church service. I might do that. You know I'm not a particularly churchy person but yeah if it saves me 16 quid you know hell are you? Look at those dark clouds.

[00:22:51]It's not looking good now. This is so cool. Check it out. This is an original Apple Lisa 2.

[00:23:04]Then Mac classic from 1990.

[00:23:08]Yeah. Gradually more and more modern.

[00:23:11]I recorded most of my albums on one of those. It's very rarely you ever get to see an Apple lease. Now I absolutely love this. I found a castle. But also check out the privies.

[00:23:25]A privy is an old word for an outside toilet, usually in someone's back garden.

[00:23:31]Down there all the way, you got the gents. But it's also a middle English word for a private place or inner circle like the privy council to the queen. It comes from the old French prebe or private and in turn from the Latin privetus. Good old castly thing. Now I'm looking for St. Martin's Church which is the oldest known church in the English-speaking world.

[00:23:53]Right. I think I found it.

[00:23:57]>> St. M's Church is the oldest working church in the English-speaking world, dating back to 597 AD. Built in Roman times, 1,400 years later, it still welcomes worshippers in its walls. Many of those walls dating back to its original construction. It was also the base of St. Augustine of Canterbury, not to be confused with St. Augustine of Hippo, the first Archbishop of Canterbury, considered to be the apostle of the English, the man responsible for early Christianity in England after traveling here in 597 from the continent, probably Italy. He's a big deal, but I don't know much about these things, so I've just found out about him. They've got some book hotels here in the graveyard doing the work of bees and the work of God. And then this bit was built. Uh that's the year 597598 as well.

[00:24:48]>> So it's the And >> so that that's the modern bit you know.

[00:24:52]>> I mean only the tower which is medieval.

[00:24:54]>> Yeah.

[00:24:55]>> Best which is Victorian.

[00:24:57]>> Yeah. Yeah.

[00:24:58]>> Was more modern. I mean they they added a bit at the back in medieval times as well but basically >> the the footprint of the church is pretty much what it was.

[00:25:08]>> That's incredible.

[00:25:09]generally pretty pretty brilliantly preserved then like >> I mean when you think it's a wall that's been there since the year 600 on >> that is crazy.

[00:25:18]>> Yeah. And you know, you think Augustine would have been here.

[00:25:22]>> He would have touched the wall, >> you know. So, it's it's it's a tremendous history.

[00:25:28]>> Bertha or something.

[00:25:29]>> Queen Bertha was looking in the >> window there. She was a Christian princess in France and she married King Ethelbert who was the king of Kent and it was >> Bertha who worshiped here first and then when Augustine came Etheert uh invited him to worship with his wife here.

[00:25:53]>> So Augustine worshiped him with Bertha and her retinue. People say Augustine brought Christianity to Kent. Bertha was already here, >> right?

[00:26:03]>> So, Queen Bertha, was she a queen of England or >> she was queen of Kent? So, I thought that was the king of Kent >> in the days when you had separate kingdoms. I think he was connected to the person who was buried at Sutton who I think that was his nephew.

[00:26:16]>> Somewhere from down there, I can hear a Beatle song playing. So, we should go and check out his plane. Yeah. So, here is the ruins of St. Augustine's Abbey and it's very, very beautiful. really love to look around it, but it's £11 to get in and I am on a budget. Here at 69 Cities, we only believe in bringing you value by showing you the places that are basically free to go to. Um, the rest of them, they may be very good for some people, but if you don't have 100 quid to blow per city you're going to, got to worry too much about the English heritage sites.

[00:26:50]So, this is the disuse shopping trolley in which St. Augustine brought Christianity to Kent in.

[00:26:59]Maybe that bit was for the baby Jesus.

[00:27:01]Who knows?

[00:27:05]>> Where's he going to come out?

[00:27:10]>> Oh, this looks lush. And it' be lovely to have a nice punt along this river.

[00:27:15]Wow.

[00:27:21]Okay, so I've got an update for you.

[00:27:23]There is no open mic in Canterbury on a Wednesday. I made a mistake. So I had two options. Either I stay in Canterbury and only do one city or I go 100 miles to Colchester playing Colchester tonight where there are two open mics that are definitely happening. Um and then drive back tomorrow and try and film the open mic here Thursday night.

[00:27:46]Uh but that's like a 200 mile drive.

[00:27:49]It's going to be about £40 in diesel, I think. So, it's quite OTT for what it is. You know what? My biggest problem is time. And I have two days left to make this. And I think I can do two cities instead of just one.

[00:28:04]So, I'm going to give it a try. I'm going to see what I can do. And fingers crossed it works out. We're escaping Canterbury and coming back later to do the open tomorrow night. And tonight, we're going to go to Colchester to the ball, which is 94 miles away. So, we best get going.

[00:28:39]The next day, I was back in Canterbury after having filmed Colchester. I cycle back into the city through the most beautiful green space which I later found out was called the Hamrook Marshes. The marsh is a 50 acre wetland close to the city center. And on a beautiful day like this, it was just the tonic to the stress and intensity of the travel.

[00:28:59]A huge thank you to all of our GoFundMe backers and patreons who made these episodes possible.

[00:29:11]Take me, take me dancing.

[00:29:15]Take me from this place where I can't even breathe.

[00:29:19]Oh, take me, take me dancing.

[00:29:24]I've no one's great to I'm on my knees.

[00:29:32]Sail away. Now when you said way let me rules.

[00:29:39]I am tired tired of running tired of screaming out and tired of being ignored.

[00:29:49]Next I stumbled across the Westgate Gardens, a stunning public space by the river while locals were enjoying the kiss of the sun. This tree is absolutely amazing.

[00:30:00]This trunk is so fat. The star of the show for me was this spectacular oriental plane tree. At 200 years old, it's one of the 70 ancient trees which are in the Queen's green canopy to mark the Queen's Jubilee.

[00:30:13]The astoundingly beautiful garden along with the Tower House was gifted to the city in 1936 by Steven and Catherine Williamson under a deed requiring that the space is preserved for a public place for the benefits of Canterbury's residents and the occasional traveling musician, of course.

[00:30:31]This is absolutely incredible. So this is Canterbury Cathedral made out of fudge from Ry's fudge country. So this is the famous leaning house.

[00:30:43]Canterbury's leaning house was believed to have been built by a hugenaut refugee called Alderman Sabine in the early 1600s. In the 19th century, an attempt to renovate the building with new fireplaces led to a structural failure of the chimney stack and the building began to lean. But in testament to the quality of the original carpentry is still standing 400 years after it was built.

[00:31:13]On the front of the bookshop reads a quote from Charles Dickens David Copperfield which reads, "A very old house bulging over the road leaning forward trying to see who was passing on the narrow pavement below." Charles Dickens never lived in Canterbury, but he included many of its buildings in David Copperfield. And it's believed this quotation is about this building.

[00:31:37]>> I love this tiny little stained glass window and this little gargoy.

[00:31:46]The colors are just beautiful.

[00:31:50]This gorgeous door and windows.

[00:31:53]Oh, we saw these in the beanie. So, there was some Robert annuals. And I was wondering what that was about. They're just part of the exhibition. But it says Mary Torl, the creator of Robert the Bear, was born in Palace Street in 1874 and made a resident of Canterbury throughout her whole life. Her works have now sold over 50 million copies internationally.

[00:32:13]Next up, I found my way to Open Mic at the Thomas Becket Pub hosted by the brilliant Dave Fudge. I believe this is one of his original songs. Jeremy Satchwell is accompanying him on guitar.

[00:32:25]Links to the raw footage from tonight are available in the video's description.

[00:32:43]Sometimes I told you and the humans fail.

[00:33:00]The end goes away.

[00:33:11]I think about you every day.

[00:33:15]Oh yeah. Humans fail and I feel like seeing in the sky above.

[00:33:38]Oh yeah.

[00:33:44]Heat. Heat. Heat.

[00:34:02]Nothing left to see.

[00:34:06]I think about you every day.

[00:34:11]with human sound teaching me how words I believe in I believe in the sky blue Heat. Heat. Heat.

[00:35:15]Yeah, he ending You spoo.

[00:35:57]Next up, NJ Parkin shared with us this beautiful original love song.

[00:36:10]>> And I lying next to me.

[00:36:18]Sit down and talk with me.

[00:36:23]Tell me everything you like.

[00:36:27]What a beautiful day today with you.

[00:36:36]Tell me how you feel.

[00:36:41]Tell me how you feel.

[00:36:45]When we go for a walk tonight, I hold you close to me.

[00:36:56]When the music plays on six and you're lying next to me, you make me feel so warm inside.

[00:37:23]I know you're the only one for me for me.

[00:37:32]Thank you very much.

[00:37:39]>> Kieran Stone of the band Broken Boats played us this stunning original song which has been in my head for days while editing this episode.

[00:37:53]Yeah. I had your love.

[00:38:00]I had your love like a ribbon wrapped around me.

[00:38:06]I kept it close, but it's gone.

[00:38:12]And it tied on to my wrist. And I s drifted away out of my reach.

[00:38:26]Can you hear me?

[00:38:32]Can you hear me?

[00:38:35]Oh, hurry home. Hurry up in a beautiful manner. Henry, come down. You're just too high. Remember, you can't fly as a hurry home for them up just the way you like.

[00:38:54]Oh, the flowers.

[00:39:00]Oh, in your head.

[00:39:08]You should leave it there.

[00:39:12]Leave it for I had your love.

[00:39:20]Oh, I had your love.

[00:39:26]I had it tied on to my wrist, but I slept it to f away yet from there. You're just too high.

[00:39:43]There is a hurry home for dinner in a beautiful hurry home just the way that you like. Oh. Oh.

[00:39:58]The flowers in the show.

[00:40:01]Oh, and I'm the one in your head.

[00:40:10]You should believe it.

[00:40:13]Believe it.

[00:40:29]Can you hear me? The light fading out.

[00:40:35]It's a long time without me. Can you hear me? And I'm fading out.

[00:40:46]And yes, it's a long time without you.

[00:41:03]One more for you.

[00:41:05]Toby Wolf and Misha Kabard duetted this incredible piece which I think is an original.

[00:41:13]>> So outspoken pull my heart and pull my sleeves.

[00:41:25]Now I've become a token of my heart's disease.

[00:41:39]All I ever asked for was nothing at all.

[00:41:53]All I ever gave you is everything I want.

[00:42:07]Nothing ever except my face.

[00:42:20]All you had to do me instead.

[00:42:35]All we have to do is lie to each other.

[00:42:48]All we had to do was lie to ourselves.

[00:43:31]This is another gorgeous original from Toby Wolf.

[00:43:35]Piece of paper in the sky.

[00:43:42]>> I wonder what you are to next lover.

[00:43:52]>> Fan mail to a movie star.

[00:43:58]Oh, I'm just a child with these thoughts that I had.

[00:44:09]>> Oh, I'm just a child.

[00:44:21]You could just be for me.

[00:44:29]Everyone else easily you could just be for me.

[00:44:48]Don't you know that I love you?

[00:44:58]Don't you know that I love you?

[00:45:13]>> This is a song I wrote myself.

[00:45:16]Butterflies >> Stu and Ian Robertson put a smile on our faces with this unique and unusual song called Butterflies.

[00:45:32]I can fly my feathers fall to the ground.

[00:45:46]I just wounded birding up my brothers and sisters as they free. I wish I wish to die. I wish I had to die.

[00:46:05]But I'm glad you think about me. From time to time, >> I still think about every watch.

[00:46:31]I watch my side.

[00:46:39]I watch Stranded on the sand, taking my last breath and eating crustations.

[00:47:01]Woo!

[00:47:06]>> Just a beast whale waiting to die. My wife expanding full of air being by scientists.

[00:47:25]But I'm glad you think about me from time to time.

[00:47:32]>> What do you get?

[00:47:35]>> I still think about you every time.

[00:47:40]I watch butterflies die.

[00:47:50]I was supposed to die.

[00:47:58]I was fly.

[00:48:06]I'm a lonely dog.

[00:48:10]Lost in the city at night >> on the coldest night of the year.

[00:48:23]>> Just a lonely puppy dog with only three legs.

[00:48:30]>> Looking for shelter and food.

[00:48:34]I find some rat poison. I don't know what it is. I taste it. It tastes good.

[00:48:43]>> I'm glad you think about me from time to time.

[00:48:52]>> I still think about you.

[00:48:55]Every time I watch the pretty girl I watch girls die.

[00:49:16]I watch the crazy girls die.

[00:49:24]I watch the crazy girls die.

[00:49:32]I wish the girls die.

[00:49:43]Thank you very much.

[00:49:45]>> And this is Jeffrey Chawson writing his Canterbury Tales.

[00:49:52]I guess that's them for Sam.

[00:49:58]>> Next up was my chance to have a crack at entertaining the Thomas Becket. And I tried this one that I don't play live so much. It's called Sexy Babys. I had a real blast and it seemed to go down well.

[00:50:10]>> I stole over washing powder.

[00:50:19]Her eyes they twinkled and she gave me a smile.

[00:50:24]Eyes collided in the burnishing.

[00:50:27]Wo yeah.

[00:50:42]My baby is smart and she will go pretty far.

[00:50:46]She likes to smoke it like a Cuban cigar.

[00:50:51]My pretty baby send me kisses.

[00:50:55]My pretty baby going to make me flex. Oh yeah.

[00:51:02]Yeah. Yeah.

[00:51:08]I really my pretty baby blow my pretty blow my pretty baby blow my pretty baby blow my pretty baby blow my pretty baby blow my pretty baby blow my pretty One room is becoming my clothes are dirty. Yes, I'm hanging red.

[00:51:56]I work day and I got nothing to say.

[00:52:00]My pretty baby makes it all okay. Oh yeah.

[00:52:06]Yeah. Yeah.

[00:52:16]My baby blue.

[00:52:19]My baby blue.

[00:52:23]My baby.

[00:52:30]Thank you very much.

[00:52:43]Dave and Jeremy got up with me for a rock and roll jam and the pub came to life dancing to these classic tunes.

[00:52:50]used to carry a guitar well turn to the driver and say my little comfortable go Johnny Go Johnny go Johnny go.

[00:53:34]Anyway, go go Go go go go go go go.

[00:54:30]Yeah.

[00:54:51]>> Tom Dean shared his powerful and moving blues voice with us with Jeremy backing him up on guitar.

[00:54:59]I need someone's hand through the night.

[00:55:09]>> I need someone to feel next to mine.

[00:55:30]I need someone to stand up.

[00:55:51]I need you love.

[00:56:01]>> So why don't you give it up?

[00:56:06]Bring it home to me.

[00:56:09]Write it on a piece of paper, baby.

[00:56:16]>> It could be to me.

[00:56:22]>> Tell me that you need your love.

[00:56:41]I need your voice.

[00:56:51]So wonder your love so It was great. Yeah.

[00:57:26]>> This song is uh about girls in Newcastle. It's my my homage to the women of Newcastle. It's called Dressed Up Like It's Summer. Here we go.

[00:57:43]It feels only right for me to give the last word from Canery to Dave Fudge.

[00:57:47]Link below, I've compiled all of Dave's full performance from tonight. There's a well of beautiful music from this much missed gentleman. Thank you, Dave.

[00:57:57]See the world is sweet through the path of clown.

[00:58:18]She don't pay it in.

[00:58:22]She put out her best cover. She's always dressed up like a summer.

[00:58:32]She's always dressed up like a summer.

[00:58:40]>> I wish that she was under the table every time. Tomorrow she's getting well, but tonight she's in my bed. She's always dressed up like it's summer.

[00:59:00]She's always dressed up like it's summer.

[00:59:06]She like summer. Like summer. Oh yeah.

[00:59:14]Last summer, summer I can't walk Now because I love you too much, baby.

[00:59:56]I can't walk out because I love you. I love you. Yes, I love you. Yes, I love you.

[01:00:08]Oh, I love you. Do you love me >> too much, baby?

[01:00:35]evening.

[01:00:37]Thank you and good night.