STILL LIFE 🎬 Full Thriller Movie 🎬 English HD

[00:02:16][screaming] [groaning] >> May Hello. Are you all right? All good?

[00:03:54]Started? It started? He goes, "Julie, here are your things." Thanks, babe.

[00:03:58]Here, take the glasses. I won't be using them now. Thanks. All right.

[00:04:01]Well, my dears, we are gathered here to talk about the restructuring. You know, I want to get to the point. I congratulate each and every one of you.

[00:04:08]It was a fantastic year.

[00:04:10]Advertising guidelines increased. People follow us. They love us. Congrats.

[00:04:16]But, I'd like to mention something specific. I'm missing it.

[00:04:18]>> Sorry.

[00:04:20]Excuse me. How are you?

[00:04:22]About to mention it.

[00:04:23]Oh, yeah? Yes.

[00:04:25]I want to thank you for your presence, Jasmine, for your work. The news would not be the same without you.

[00:04:30]Well, thank you very much.

[00:04:33]But, I want to talk about someone who gives How nice that you don't study, that you don't learn, that you either have it or you don't, Walter.

[00:04:40]Your vibe, your energy in each of your notes, your freshness kills me.

[00:04:45]Guys, let's salute. Let's congratulate Walter Leiva, the new face of the channel's 9:00 news. You can clap your hands.

[00:04:55]Thank you, guys. Thank you very much.

[00:04:57]The truth is that we are going to keep on working and achieving better goals.

[00:05:01]There are not going to be many changes.

[00:05:12]Producer of my own mobiles. Great.

[00:05:16]Double work, same money. Great. Well, well, Jazz.

[00:05:21]Think that I'm also going to travel more. It was inevitable. Juliana had already told me.

[00:05:25]I was originally slated to be the host.

[00:05:28]That's no longer the case.

[00:05:29]We've been assigned to cover the impact that cow excrement has on the whole planet.

[00:05:36]And we continue with the case of Julia Cotonies, the woman who disappeared a week ago. See, I needed a note like that. Julia's parents are abroad looking for her.

[00:05:44]>> Even if a note like that were to come out >> They are still told They hand it over to Walter.

[00:05:48]>> Have you seen or know anything about his whereabouts?

[00:05:52]>> [music] [music] [music] [music] [music] [music] [music] [singing and music] [music and singing] [music] [music] [music] [music] [music] [music] [singing and music] >> No >> [music] >> habra un buen final. Un solo final.

[00:07:45]>> [music] [singing] [music] [music] [music and singing] >> We are in the town of Zapala with Miguel Krakauer who wrote a book about the greenhouse effect. How's it going? I'm fine. I'm fine.

[00:08:42]Is it true that cow dung increases the hole in the ozone layer much more than ships and cars from all over the world?

[00:08:49]Well, it could be a scatological joke, but unfortunately it's not.

[00:08:54]The gases expelled by the intestines of cows produce the so-called greenhouse effect.

[00:09:01]Every animal, and there are millions of them in the world, produces daily three or four liters of methane gas daily.

[00:09:09]Conclusion, they contribute 5% of the gases that in turn produce the greenhouse effect.

[00:09:16]This is worse than driving an old truck with too clean exhaust.

[00:09:22]Are you okay?

[00:09:23]My blood pressure is a little low.

[00:09:24]Sorry.

[00:09:26]Do you want water?

[00:09:27]>> Yeah, yeah. I'm going to sit down for a second. Can you guys do an insert or something?

[00:09:31]>> Easy, easy.

[00:09:34]One little thing. We saw some cows out here next Do you know who they belong to?

[00:09:40]From the Cortneys.

[00:09:42]Couldn't you ask them to let us in to take some shots?

[00:09:45]It occurred to us that that way He won't let them in.

[00:09:48]Uh But they are neighbors. You haven't met him? Yes, but we don't get along.

[00:09:53]Isn't that the family whose daughter disappeared?

[00:09:57]Did you come to write me a note about the book or to talk about the Cortneys?

[00:10:00]Yes, no, no, sorry. It happens that since it talks about cattle raising, it occurred to us that it would be nice to end with a shot of the cows.

[00:10:08]>> We need the cow, the image.

[00:10:10]I'm not going to go there.

[00:10:14]Let's see. We can also do this from the road. I'm able to zoom in. This is not a problem at all. What we were hoping for was to have you walking along with the cows visible in the background.

[00:10:24]All right, let's go. I'll catch up with you.

[00:10:26]Okay.

[00:10:30]>> [music] [music] [music] [music] [music] [music] >> Are you better?

[00:11:13]Yeah.

[00:11:14]Much better, thank you. You guys, did it go well? Yes. It's all done. Oh, that's good. Well, thank you very much.

[00:11:22]When will the article be released?

[00:11:24]Estimate 2 weeks, give or take a couple of weeks.

[00:11:27]Well, have a good trip.

[00:11:29]Thank you.

[00:11:30]If you're on your way there to the Cartanese, I mean.

[00:11:34]Be careful.

[00:11:36]Why?

[00:11:38]They are bad people.

[00:11:39]Nobody wants them here.

[00:11:41]They're not good neighbors.

[00:11:44]They hunt and play and take pictures of each other like skinned animals and post it on Facebook. You know what I mean?

[00:11:51]Well, when I know what's on the air, I'll write you then. Okay. Thank you very much.

[00:11:56]Bye.

[00:12:00]This disgusting grass hurts me so much.

[00:12:01]Hey, and if we put a little bit of vibe on it, it's better.

[00:12:03]>> What will make me happy? To everything, I don't know. You're in another one.

[00:12:08]Who cares about this note, Diego?

[00:12:10]Let's see. It's work.

[00:12:12]Tomorrow we'll do the livestock, shall we? Forget it.

[00:12:32]How's it going? Hello. Nice to meet you.

[00:12:34]Is the boss here?

[00:12:35]No, gone, traveling.

[00:12:39]I understand that you have livestock. Is that correct?

[00:12:41]>> Yes, sir. We have plenty.

[00:12:43]Because I have an ONG Ah, we would be interested in setting up a refrigerator, something like that, more work. No, this has nothing to do with it. It is the opposite. It's called the Animal Salvation Army. It's to protect animals.

[00:12:54]Ah, well, but you're going to have to come when you're there, you know, because I can't even let you in to see the animals. Okay, okay, okay. Look, I'll give you a flyer. It's what I hand out in general to make people aware.

[00:13:05]That's perfect.

[00:13:07]Who can become a vegetarian, huh?

[00:13:11]All right. I can leave you the phone.

[00:13:13]Yes, of course, please.

[00:13:15]Sir, please. I'll let the boss know.

[00:13:17]There you go. There's my card.

[00:13:18]And maybe we can talk face to face. It's much better.

[00:13:20]>> going to have to come back when you're there because, well I'll be back tomorrow.

[00:13:24]I'm going to give you all the flyers while we're at it. And if you want, you can read it. It's very interesting. You will see that it will change some things. Thank you.

[00:13:31]Good luck. Thank you. Bye-bye.

[00:13:47]Is it here?

[00:13:49]Do you want something? No.

[00:13:51]Coming. Hello. What's up? I'm fine. I'm going to take these in. Hello.

[00:13:58]Can I leave you a flyer?

[00:14:00]Oh, I don't have hands right now.

[00:14:02]Thanks.

[00:14:02]Do you have beer? Here you are.

[00:14:05]How much is it? 20 pesos? Oh, here you go. A free hand.

[00:14:09]Well, thank you.

[00:14:12]20.

[00:14:16]Thank you.

[00:14:17]A small bag, please. Yes, of course.

[00:14:24]Thanks a lot. Bye. Keep it in mind.

[00:14:27]Thanks.

[00:14:29]And read what will change your life.

[00:14:31]Thanks a lot.

[00:14:39]What did that kid want?

[00:14:41]He gave this.

[00:14:44]It's time to become a vegetarian.

[00:14:48]But don't they make the best empanadas saltenas here?

[00:14:52]Yes, Diego. The best empanadas saltenas are made in Ucan.

[00:14:55]Try that.

[00:15:05]Good morning, boss.

[00:15:06]How are you doing?

[00:15:08]A gentleman came by and brought these tickets to give to you.

[00:15:15]Animal abuse.

[00:15:18]If there's anyone who loves animals, it's me, Eleuterio. Excuse me, sir. Put that away. Okay. Give me a hand.

[00:15:30]Excuse me, sir.

[00:15:42]There, I have the key. How is the key in my room? It's only one.

[00:15:46]I'm off to grab the stuff. What?

[00:15:54]>> [snorts] >> Well, there weren't any with separate beds.

[00:15:58]Okay.

[00:16:00]Do you sleep there?

[00:16:09]How unpleasant you are.

[00:16:12]Stop. Stop. Stop. Give me No, don't change. Don't change.

[00:16:15]Turn up the volume.

[00:16:18]Turn it up.

[00:16:18]Going.

[00:16:20]Again, the whereabouts of Julia Cottoneese are unknown.

[00:16:24]She disappeared a week ago and we still have no news about the case. People are shocked. We are afraid. We are afraid to go out in the street.

[00:16:31]We demand justice.

[00:16:33]Well, back here in the studio, the truth is that we are worried. The whole town is worried about the disappearance of Julia Cottoneese.

[00:16:41]And if you have any information or have seen anything about her whereabouts, please call 24 hours a day both channels numbers as well as the police 911. We are all working together. It is important that we are connected >> Where are you going? for these things that we do not want to be repeated in our town because the truth security is getting worse every day.

[00:17:19]I'm Jasmine Alcena and we're at the house of Julia Cortney's who disappeared a week ago. I'm going to show you exclusive evidence that she was kidnapped.

[00:17:31]In this area near Julia's house is where I found her wallet with documents, credit cards, and money. Reliable proof that she did not leave by her own means and that she was possibly kidnapped right here in this place.

[00:18:16]>> [music] >> Hello.

[00:18:59]Hello.

[00:19:00]Lost?

[00:19:02]Cortney's?

[00:19:03]No, it's the house next door.

[00:19:07]I'm sorry. No, it's still very common for people to cut through here.

[00:19:11]Gerardo.

[00:19:12]Jasmine.

[00:19:14]Don't worry, he won't do anything to you. He's a vegetarian.

[00:19:18]The dog? Vegetarian?

[00:19:20]Yes, we are both vegetarians. I feed him with soy meat.

[00:19:24]What do you want to see them for?

[00:19:26]They're [ __ ] up.

[00:19:28]Why?

[00:19:30]Look, here in the village we know we know a lot about the Catanese people.

[00:19:35]Anyway, they don't live here anymore.

[00:19:36]The only one living here is Julia, their youngest daughter.

[00:19:39]Yes, the one who was missing, who could have been murdered.

[00:19:43]Murdered? I don't think so.

[00:19:48]Do you know anything?

[00:19:55]Let me explain. I'm a journalist.

[00:19:57]I'm specifically investigating this case. So, if you know, you've heard about her, about her parents, it's useful for me.

[00:20:06]Let's do something. Can I lend you my card? Yes, of course.

[00:20:10]It's important to me.

[00:20:12]Let me know, okay? That's great.

[00:20:14]Thank you very much. A pleasure. It's mutual. Sorry. No, it's okay.

[00:20:19]The road?

[00:20:20]200 m that way and to the left.

[00:20:22]Thank you. Excuse me.

[00:20:25]Bye.

[00:20:26]Bye.

[00:20:33]Well, >> [sighs] >> at last. Where were you?

[00:20:37]Don't mess with me.

[00:20:43]What a face.

[00:20:50]Let's go calm down a little bit.

[00:20:52]You don't look well.

[00:20:57]What's for lunch?

[00:20:58]>> [snorts] >> Steak.

[00:21:06]Remember that tomorrow.

[00:21:08]We have to get up early.

[00:21:10]We possess an interview. Yes, to Jose Marmol. The Grenadier. Yes.

[00:21:18]Finally, we're going to see someone who's not against killing animals.

[00:21:22]I'm starving.

[00:21:26]Do you want Yes.

[00:21:39]How's it going? How's it going?

[00:21:42]It's going well. Has the boss arrived?

[00:21:44]He came, but retired on the way back. He was going to travel, then left.

[00:21:49]Okay.

[00:21:51]But he told me he had no interest for now.

[00:21:54]Of course. Maybe another time, but he told me no. What happens is that the pamphlets Face-to-face is best.

[00:22:02]Well, can I explain to him well? I explained to him and gave him something to do, but he said he had no interest for now.

[00:22:09]I can't wait for him inside, can I?

[00:22:10]>> No, that's impossible.

[00:22:12]Well, I'll wait for him here.

[00:22:14]As you wish. No problem, but to say that it cannot happen. Yes.

[00:22:19]But it could be here. Yes. From here to here, no.

[00:22:22]From here to here, do whatever you want.

[00:22:24]Bye.

[00:22:27]And that's how I met my second wife.

[00:22:29]I just like meat a lot.

[00:22:31]They can me.

[00:22:33]How does it feel to be one of the most powerful businessmen in the cattle raising world?

[00:22:37]It's a man's business.

[00:22:39]A macho man's business.

[00:22:40]And there are fewer and fewer people left in the business.

[00:22:43]Cuz there are fewer and fewer males?

[00:22:45]Let's see.

[00:22:47]How long has it been since a man has invited you for a good asado?

[00:22:52]Pretanios eat sushi. All of them now.

[00:22:55]What do you think of those who say that cow breeding contributes to the greenhouse effect?

[00:23:01]Hey, that guy's a real show-off, isn't he?

[00:23:04]I liked him.

[00:23:05]Yes, because he has money. Sorry. Yes.

[00:23:07]>> Did you happen to see Jose Aimar?

[00:23:10]Yes. Yes, we did a story on him.

[00:23:13]I am promoting veganism in the interior.

[00:23:17]Today I'm giving a talk, a seminar. If you want to be informed, if you want to cover it, here is the invitation.

[00:23:24]Good.

[00:23:25]And here is an informative pamphlet.

[00:23:27]Thank you. I'm Dan. Jasmine. Good.

[00:23:35]I'm coming.

[00:23:41]Jasmine, do you have production money for the pizza?

[00:23:45]Grab the drawer.

[00:23:57]No cash, Jasmine.

[00:24:06]Yes.

[00:24:08]How much is it?

[00:24:09]48.

[00:24:12]Here, keep the change. Thank you. Say thank you.

[00:24:15]Bye.

[00:24:22]Can you tell me what you do with wallet of Julia Cotnes?

[00:24:29]It's the girl who disappeared. I'm asking you where you got it from.

[00:24:33]I found it where we made the note.

[00:24:37]See that?

[00:24:42]Vegetarian gave us one just like it today.

[00:24:44]Was she there? Yes.

[00:24:49]The talk is now.

[00:24:50]Let's go cover it. Why? Get the camera.

[00:24:52]We are leaving.

[00:24:53]>> has arrived. Okay, Diego, do what you want. I'm going alone. Be careful.

[00:24:56]Karki?

[00:25:00]>> [sighs and gasps] >> Remember that tomorrow we have to be in the capital, eh?

[00:25:04]We have to take all measures to avoid this great ecological crisis that we are producing.

[00:25:11]Cow excrement generates gases. These gases are making the hole in the areas layer bigger and bigger.

[00:25:18]Why is that? Because we are raising more and more cows for our livestock. Every time we eat meat we increase the greenhouse effect much more than all the cars, the kind of boats, and flying planes in the world.

[00:25:31]But that is not scientifically proven.

[00:25:34]Gerardo Basaldua Ilvaso.

[00:25:37]Have a seat, please.

[00:25:47]Here the problem is not the cow's poop, but that they are being killed to eat them. You know very well that animals are sentient beings, that they suffer.

[00:25:55]I think that what we have to aim at is that animals have rights, just like human beings.

[00:26:01]I agree with that.

[00:26:03]But people need to know that there are other ecological problems caused by eating meat. But they're not proven. It seems to me you're shifting the focus. You're distracting them.

[00:26:12]Well, neither is the existence of God proven.

[00:26:15]We can't wait for all the theories to be proven.

[00:26:18]We must act now.

[00:26:20]And if this speech helps us to convince people of our cause let's go ahead. Excuse me.

[00:26:28]According to you, what would we have to do in order not to have so much cow [ __ ] Diego?

[00:27:33]>> [groaning] [screaming] >> Hey.

[00:28:23]What's wrong?

[00:28:25]No, nothing.

[00:28:57]>> [snorts] >> What's up? Why aren't you listening to me? I can't talk now.

[00:30:53]Where? I'll call you back.

[00:31:18]>> [music] >> Hello.

[00:31:37]Yes.

[00:31:39]Yeah, of course.

[00:31:43]That's great.

[00:32:43]>> [snorts] [music] >> Do you know anything?

[00:33:58]>> [snorts] [music] [music] [music] [music] [music] [music] >> Hello.

[00:36:30]>> [music] [music] >> Hello.

[00:37:20]>> [music] >> Hello. Diego.

[00:37:56]You have to come here with the camera.

[00:37:58]Hey, what's up?

[00:37:59]Stop. Where are you?

[00:38:01]Kilometer 36, the pink house.

[00:38:59]>> [music] >> Ready, thanks master. [music] I'll see you around.

[00:39:16]Hey cutie, [music] what's up?

[00:39:19]You're late for an hour. What's up?

[00:39:21]Camera on.

[00:39:22]What? Ouch.

[00:39:24]What happened to you? What's wrong? Give me the microphone.

[00:39:28]Here.

[00:39:31]You can hurry up.

[00:39:32]>> Ready, come on. Follow me.

[00:39:36]Come.

[00:39:37]Start here.

[00:39:40]I'm Jasmina Alsina, investigating for Mas Noticias, covering the case of Julia Cotnes' disappearance.

[00:39:45]Follow me.

[00:39:48]Film everything, Diego.

[00:39:51]I'm exclusively at Raul's house, her brother.

[00:39:54]>> [music] >> And the images you are about to see are very strong.

[00:39:57]Come here.

[00:40:02]He was here.

[00:40:04]He was here, lying there. I saw him.

[00:40:06]Where is he?

[00:40:09]Where is he?

[00:40:10]There, Diego. I saw him.

[00:40:14]I saw him. He He lying there, dead.

[00:40:17]I saw him, man.

[00:40:21]I'm so tired.

[00:40:23]No, stop. Jazz, Jazz.

[00:40:25]Hey, easy. Come here. Come here.

[00:40:30]It's all right.

[00:40:31]That's it. That's it. Easy. It's all right. It's all right.

[00:40:39]It's all right.

[00:40:41]>> [snorts] >> What are you doing? Get a grip.

[00:40:45]What?

[00:40:47]What do you mean?

[00:40:49]It's good.

[00:40:50]Don't you understand I'm not okay? I just saw a dead body lying there, and you're thinking about [ __ ] me?

[00:40:55]You idiot. Baby, stop it. It's not that bad.

[00:40:58]Oh, no? It's no big deal? No? You know what? Go away. Go away and leave me the camera. Take it.

[00:41:04]Stir.

[00:41:48]Hello.

[00:42:20]>> [gasps] [panting] >> What the hell is going on?

[00:43:41]>> [music] >> Are you all right?

[00:44:08]Yes.

[00:44:09]Yeah, I'm fine.

[00:44:15]What happened to you?

[00:44:17]No, nothing. I got lost. Where can I take you?

[00:44:20]Do you know where the Los Alamos Hotel is?

[00:44:24]No, but I'm sure they'll be able to welcome us downtown.

[00:44:27]Thank you.

[00:44:37]Well, thank you very much indeed.

[00:44:39]I can come another day to the conference.

[00:44:42]It's my job.

[00:44:45]Ah, I have some videos I can give you.

[00:44:47]I filmed them and I'm sure you can use them for your notes.

[00:44:51]Well, I have your brochure. There's your phone.

[00:44:54]Yes. Well, I'll contact you there.

[00:44:57]I'll bring it to the hotel tomorrow.

[00:44:59]Well, thank you.

[00:45:00]Bye.

[00:45:03]When you hear the tone, record your message.

[00:45:08]Diego, where have you gone, you son of a [ __ ] When you hear the tone, record your message.

[00:45:21]Diego, show up. I need to know where you are. I need to film.

[00:45:43]Don Clota, how are you? A vegetable empanada, please. I'm not having vegetables. I only have meat.

[00:45:49]Do you remember that I don't eat meat?

[00:45:51]Do you have any vegetable ones left?

[00:45:53]No, I don't have any. I have chicken.

[00:45:55]Chicken is meat.

[00:45:57]Onion, cheese, or corn.

[00:46:01]No, I don't have any. I have ham and cheese.

[00:46:05]There are no vegetables. Do you have any left?

[00:46:08]I don't know. Maybe some chard.

[00:46:10]Hey Paco.

[00:46:19]Well, how much is it?

[00:46:21]Five pesos.

[00:46:24]There you go. Thank you. Can I leave these flyers with you? Yes, indeed. Bye.

[00:46:28]Thank you. Have a good day.

[00:46:56]What happened, Joaquin?

[00:46:58]It happened that at Paco's they cheated me and put meat in my vegetable empanada.

[00:47:18]Have you ever thought about the number of animals that die because of that craving?

[00:47:25]Does it bother me to eat milanesa?

[00:47:27]You're already eating it.

[00:47:29]Mind if I sit?

[00:47:31]Have you sat down?

[00:47:35]Thanks for yesterday.

[00:47:37]It's the least it could be.

[00:47:40]And you've never eaten meat?

[00:47:42]My mom was vegetarian, so I've practically been vegan since I was in the womb. And how did you become a vegan activist?

[00:47:50]My family had a lot of money.

[00:47:52]And part of it Investing in an ONG is a bad idea.

[00:47:57]For animal protection and so on.

[00:48:00]But then they ripped us off and well, I started my own ONG.

[00:48:03]What's it called?

[00:48:05]Animal Salvation Army.

[00:48:07]Are they much?

[00:48:09]No, no, it's just me.

[00:48:14]Sorry, it made me laugh because I'm in the army. I thought there were a lot of them.

[00:48:18]Well, yeah, it's the only way I can have control over the ONG and do what I want.

[00:48:23]It's good.

[00:48:26]What I promised you.

[00:48:29]This is the unpublished material I have.

[00:48:31]I sneaked into several slaughterhouses to film the slaughter of the animals, the cruel way they are.

[00:48:35]The slaughter of the animals, the cruel way in which they are killed.

[00:48:39]How they bleed to death.

[00:48:42]Look, I don't want to lie to you. I am here investigating something else.

[00:48:46]That is the case of Julia Cottoni's disappearance.

[00:48:49]Have you heard about it?

[00:48:50]Yes, they mentioned it on TV. Let's see, I know it's not interesting what I'm asking you.

[00:48:55]But I can guarantee you that if you see this material, it will truly change minds.

[00:49:00]It will touch a nerve. The way you see how animals suffer, you can't turn a blind eye to this.

[00:49:06]Let's do one thing.

[00:49:08]I promise you, I'll get your note out with all the material you give me and everything I've already filmed.

[00:49:13]But I need you to help me.

[00:49:15]Basically, take me and film me.

[00:49:19]What about your cameraman?

[00:49:21]He's an [ __ ] Will you help me?

[00:49:26]When do we start?

[00:49:53]What are we doing here?

[00:49:55]Let's look for clues or evidence.

[00:49:58]It's not Julia Cotterell's house.

[00:50:00]No, her brother Raul's.

[00:50:19]Hey, do you always break into houses like this?

[00:50:25]We're going to film here.

[00:50:26]See if it's on this floor plan.

[00:50:28]Here.

[00:50:30]Do you know how?

[00:50:32]The right.

[00:50:33]That one.

[00:50:36]I should always stay in the center of the frame. That's it.

[00:50:43]All right.

[00:50:48]My name is Jasmine El-Sayedna and I went to Raul Cotterell's house.

[00:50:52]Yesterday, I found Raul's lifeless body lying on the floor here covered in blood.

[00:50:58]When I went to get the cameras to record it and came back, the body was gone.

[00:51:03]However, there are still footprints and blood stains here. Let's see. Let's look there.

[00:51:10]That certify that the body was there and that it was taken or dragged. It is important to point out that Raul Cotterell has been missing for more than 24 hours and that nothing is known about his No. Stop. Stop. It's no good. It's no good.

[00:51:25]>> [sighs] >> Recording.

[00:51:51]What are you doing?

[00:51:54]I want to see if he recorded.

[00:52:50]What are you doing there?

[00:53:16]I need to have this. Help me.

[00:54:07]>> Then?

[00:56:49]>> What happened?

[00:56:51]I have no idea.

[00:56:52]I have no idea.

[00:58:40]>> [music] >> What happened?

[00:59:15]Did you fall asleep?

[00:59:17]I brought you some medicine.

[00:59:21]There are some pills. It's one every 8 hours and there are some bandages for you to change them. Oh, thank you very much.

[00:59:28]Did you see that? We are shocked by the disappearance of Jose Aimar, the second person missing this week. We are with Joaquin Gonzales, the only witness to the event. Joaquin, good afternoon.

[00:59:38]>> [gasps] >> I saw him.

[00:59:41]I saw Jose that he was there.

[00:59:46]And that an animal was dragging him.

[00:59:49]An animal?

[00:59:50]It was a puma dragging him. It's the animals.

[00:59:55]It's the animals that are taking revenge. The animals They're angry because we mistreated them, because we killed them, because we ate them.

[01:00:05]And now they're going to kill us. And it's the end of the world. And I don't want to die.

[01:00:10]This was the testimony of Joaquin Gonzales, clearly shocked by what he had lived through. We continue broadcasting from Jose Aimar's farm.

[01:00:16]The stupidity.

[01:00:18]Have you heard the rumor?

[01:00:20]They are saying that the Cotonese and Aimar killed so many animals that now it is the animals that are taking revenge on them. If it were true, they deserved it.

[01:00:52]It is important for us to know that where livestock farming is done, agriculture is not done. In this town we are cattle farmers.

[01:00:58]Two incompatible activities.

[01:01:07]I am going to stay working here.

[01:01:09]Thank you for everything. I don't want to take up any more of your time.

[01:01:12]Thank you very much, really.

[01:01:15]Well, whatever you need, just let me know.

[01:02:14]>> Hey. Hey.

[01:04:16]>> Record for a second.

[01:04:20]Hello. Juliana. Jasmine.

[01:04:23]Where are you? I'm still here in Zapala.

[01:04:27]But you're not supposed to be here, you.

[01:04:29]Yes, but I have a note, a very good note.

[01:04:32]Give me a few days.

[01:04:33]I'm going to be the hostess.

[01:04:35]Hello.

[01:04:37]Hello.

[01:04:59]Get back.

[01:06:04]>> [music] >> Dan.

[01:07:20]He killed him.

[01:07:23]Well, uh I'll give you a little help.

[01:07:27]>> [snorts] >> Stay away.

[01:07:37]Don't touch me.

[01:07:42]Stay away.

[01:07:51]What do you want?

[01:07:57]This Friday at 6:00 the refrigerator truck will pass by.

[01:08:02]I'm going to rob him.

[01:08:04]I'm going to swap the beef for human [music] meat.

[01:08:10]The truck will deliver the food to the supermarket shelves and people are going to buy it and people are going to eat it.

[01:08:22]I want you to film everything.

[01:08:24]I want people to know that she's eating human flesh. She's already past proof.

[01:08:30]They're going to change.

[01:08:33]I want you to film it and you show it.

[01:08:36]It's going to be your news.

[01:08:40]The world is going to change.

[01:08:44]Record it.

[01:08:49]Record it.

[01:11:53]>> [music] >> These were the shocking images of Ruben Lopez, a psychotic who traveled from town to town changing his identity and looking for excuses to kill.

[01:12:27]When I met him, he pretended to be Dan Truman, leader of an NGO.

[01:12:32]He claimed to be a vegetarian and to defend animals.

[01:12:35]He was not.

[01:12:36]But his madness led him to kill all those who traded or consumed animal meat.

[01:12:42]Well, I have been following Dan's footsteps for a while and I found him to be a strange person.

[01:12:46]I thought he was a strange person.

[01:12:48]Obsessive.

[01:12:50]Although we shared the same ideal, later realized that his path and mine were very different. And of course, at no time did I think he could kill.

[01:12:59]Thank God I am alive today to tell the tale.

[01:13:02]But this story took many lives.

[01:13:04]Among them, the life of a colleague from the newscast.

[01:13:08]To whom today we pay tribute to all his colleagues.

[01:13:10]I am Jasmina Alsina.

[01:13:12]See you in the next edition. Thank you very much.

[01:13:15]>> [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music] [music and singing] [music and singing] [music] >> For those who want a juicy, it's ready.

[01:16:18]Me. Yes, [music] I want to, too.

[01:16:21]It's there. I'm missing one stirrup, but it should still function. Yes, that's it, isn't it? Yes, I love it. Great. The city is burning, something like that.

[01:16:27]>> Yes, it's great. Let's go. Come on.

[01:16:30]How delicious.

[01:16:32]Let's see, a little bit over here.

[01:16:34]That was so he wouldn't sing anymore.

[01:16:36]>> [laughter] >> For inspiration.

[01:16:38]Another little piece here.

[01:16:40]A toast. Yes, a toast before we begin.

[01:16:44]For a great night. For a great Saturday.

[01:16:46]>> For the barbecue, for the moon and love.

[01:16:49]Chorizo, anyone? Yes, first the chorizo.

[01:16:51]The chorizo?

[01:17:04]>> [music] >> One more little piece? No more for me.

[01:17:13]It was delicious, my love. No dessert for me.

[01:17:17]What the hell is that?

[01:17:24]Hey.

[01:17:25]>> [music] [bell] >> Hey, who's there?

[01:17:45]Who's there?

[01:18:00]Come on.

[01:18:08]Ah!