In this pivotal scene from 'Legends of the Fall,' the Ludlow brothers prepare to leave Montana for World War I, with Samuel expressing his determination to fight despite his brothers' protective concerns. The scene captures the emotional tension between family duty and personal sacrifice, as Samuel reflects on his father's legacy and his own desire for glory in combat, while his brothers watch over him with deep concern. The narrative explores themes of brotherhood, forbidden love, and the devastating consequences of war on family bonds.
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He Left Only to Protect His Brother… | Best Scenes | Legends of the Fall (Brad Pitt)Hinzugefügt:
Be careful.
They are after you.
Alfred.
Goodbye.
Don't worry, Father.
Take care now.
Samuel.
Bring me back the Kaiser's helmet.
Bring yourself back. That will please me more.
Yes, sir.
Listen.
You take care, Samuel. I will.
Colonel Ludlow told me ride with them to Calvary.
Bring back the horses.
Damn fools, he called them.
Damn fools.
The Colonel, he would not have his sons ride off to war on old nags. Damn fools or not.
On the short.
Bring your plate.
You'll be back.
May we join you?
Sit down.
Feeling lonely in there?
>> [clears throat] >> What's her name, Tristan?
Lady. Lady? Tristan's lady.
In the story, Tristan's lady was his older. I know who his older was, don't you? No.
Oh.
Decker, your daughter is need of education. Well, she can read and write, Colonel.
School might be awkward for her. No, no, no. I'll teach her myself. May I help?
Uh-huh. Yeah.
That is true. History, mathematics, and with your permission, of course, Decker, and and your respect.
What do you think?
Come here at sunset.
What will she do with all this education? She'll live a richer, fuller life, of course.
She's a half-breed, Colonel. Not in this house she's not a half-breed. Tristan calls me a half-breed. Tristan calls you a half-breed?
He says I'm half gopher and half hawk.
>> [laughter] >> After her chores, then.
Yeah.
To us all. To you, sir, and miss, and to the boys.
And the boys.
Tristan, get back to your unit.
I'd have those boys at war.
Rather have you watch my back.
Now, mate.
>> [music] >> February 3rd, 1915.
Dearest Susanna, the horror of this place is indescribable.
Nothing is as I thought it would be.
Tonight, as I prayed for the souls of those who died so terribly but so bravely, I admit that I also prayed for personal glory.
Is that wrong?
To want to distinguish myself [music] gloriously in combat as my father did.
Though Tristan and Alfred watch over me so carefully that I may never get the opportunity.
Samuel!
God damn it!
>> [screaming] >> It's just a scratch.
>> [groaning and screaming] >> Susanna, I see now not that my father was right, but that I was naive. Let me out, damn it! GET OUT! LET ME OUT!
STILL, WE PLACE OUR BODIES IN GOD'S KEEPING.
We go into battle honorably, full of confidence, with his name on our lips. WE'RE PINNED HERE! BUT WAIT.
>> [screaming] >> COLONEL. Get my hand, you idiot.
Help!
Okay.
No.
>> [sighs] >> I don't think so.
All right.
>> [sighs] >> I can't.
Susanna, I try to guard against despair, but there are moments when it seems that all human [music] decency has broken down.
Alfred will recover from his wounds, but he and Tristan seem to have drifted apart, or worse, and I cannot understand it.
I miss you more than you can imagine.
You are all that is clean and cool and pure.
I close my eyes and fix my thoughts on you.
I now regret that we listened to everyone and agreed to wait to marry.
Even more I regret that I left before we could be together as we planned to be together, my beloved.
Please stay on at the ranch and wait for me.
Don't let Father worry.
I know that God's mercy will protect me, aided considerably by Tristan, who seems to have come to France less to fight the Germans than to act as a nursemaid to me.
Be well, my Your own, Samwell.
>> [music] [music] [music]
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