At The Gates - The Ghost of a Future Dead Review :: Farewell to an underground king!

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[00:00:00]What's going on, y'all? Mike C-Town here, and today I'm giving my thoughts on the newest album from At the Gates entitled The Ghost of a Future Dead.

[00:00:09]>> [music] [music] [music] >> So, At the Gates is one of my all-time favorite death metal bands. Um I'm an unapologetic super fan of those first four albums.

[00:00:32]Um the first three are absolutely stellar pieces of melodic death metal.

[00:00:39]Um and then we get to Slaughter of the Soul, and I'm one of those people that feels like that album is absolutely perfect. There's not a single mediocre song. There's not a single moment wasted on that album. It is a 10 out of 10, and it 100% changed the face of metal as we know it.

[00:00:58]And not just metal, you know, it basically ushered in a whole new and different type of metallic hardcore. You know, bands went from trying to sound like Entombed and Obituary to trying to emulate this album. A lot of hardcore bands heard Slaughter of the Soul back then and decided to make that album their their absolute musical identity.

[00:01:21]Um but the problem is, you know, a lot of those bands couldn't play like At the Gates. Like Slaughter of the Soul was a five-star Gordon Ramsay meal, right? And a bunch of hardcore dudes tried to mimic that by giving you frozen Salisbury steak dinners, okay? And At the Gates was basically blamed for that, which I never thought was fair.

[00:01:44]Um and they also kind of solidified that Gothenburg melodic death metal sound to where it could not be separated from the pantheon of melodic death metal for [ __ ] eternity. And I know the narrative has shifted, you know, to where a lot of young people are saying things like, "Oh, that album is overrated." Let me tell you something.

[00:02:07]That album is perfectly rated. You can't say that an album that literally changed the face of two different genres of music is overrated. That just doesn't make any sense. That's not how the word overrated works. At any rate, when it comes to At the Gates records post-Slaughter of the Soul, um I've liked some more than others, you know, I didn't really care for uh At War with Reality very much. Uh To Drink from the Night Itself to me was was better, but it still didn't give me that same feeling as Slaughter of the Soul did. Um and then I I I thought that Nightmare of Being was just okay. Um too much of it had riffs that sounded like Haunted riffs to me. Um and I didn't love the sound of the albums themselves, the recording, the mixing. Um they were a bit muddy in comparison to Slaughter of the Soul and and Terminal Spirit Disease. So, that was always a bit of a bummer for me. Fast forward to the new album, Ghost of a Future Dead. Uh I I I had somehow missed the news that there was a new album from At the Gates even coming out until after the tragic passing of Tomas Lindberg. Um and let me quickly say that that that death um that death hit me pretty hard, man.

[00:03:32]Uh Tomas was a huge inspiration on me during my time where I was making music in an old band of mine. Few singers had that incredible ability to have their voice almost crack while they're screaming, but still sound so powerful while also sounding so vulnerable. You know, his voice was was truly special, and he seemed like an amazing human loved by a lot of people, and he loved metal, he loved hardcore, you know, he loved punk, and and all those genres loved him back. Only a few musicians that I can think of have maybe cry at the news of their passing. Tomas, uh MF Doom, Merle Haggard. Those are the only ones that come to mind. So, when I heard that first single after Tomas's passing, uh The Fever Mask, I was floored. This was the type of riffing that I loved from Slaughter of the Soul.

[00:04:31]Um it had those bouncy riffs that were an awesome mixture to me of like fun, but also really aggressive, you know?

[00:04:39]And the sound of the song was so much better than the previous three albums.

[00:04:45]So, this sounded like what I had expected the follow-up to Slaughter of the Soul would sound like, and and this had me unbelievably excited.

[00:04:55]>> [music] >> The Dissonant Void followed that song up, and it was also an incredible song, you know? It It kept the energy of the first single, but it also had a sadness to it um that it's it's a little bit hard to describe like, but you just feel it when you listen to the song.

[00:05:25]Um but this one brought to mind the vibe of what they were doing on Terminal Spirit Disease. Um and I mean that with all the positivity in the world. Um I can still remember the first time I heard this song. When it got to the part of the song where the solo comes in, the riff that's being played there sounds perfect, and it legit gave me goosebumps. And I just knew that I was going to fall in love with this album when it dropped.

[00:05:52]>> [music] [music] >> So, when I finally got the opportunity to hear the album in full, I could not wait to throw it on, man. The The The two singles are the first two songs on the album, and and track three, which I can't pronounce, so I'll just put it here. Um that song was a bit different from the other two. It It starts with a very odd kind of Cradle of Filth-esque like intro, which I would never expect from this type of album. And when the riffs came in, I have to be honest, I I wasn't very into it. Um it kicked in a bit too mosh-y for my taste, and it didn't really hold my attention. Um and the rest of the riffs on the song itself didn't really do a whole lot for me. Um it's another one of those songs that it felt like a bit too much of The Haunted was seeping in um over what I think At the Gates themselves sound like. Um but I will call out that solo. That solo was [ __ ] great. It's very bluesy, um and almost gave me vibes of some of the solos that you'll find on like later Carcass albums. Um and of course, I mean that in a really good way. But yeah, because I I wasn't really into that third song, I was a bit worried about the rest of the album. Uh but when track four, A Ritual of Waste, when that song comes on, I was brought back to being unbelievably excited, because this is probably my favorite song on the whole album. Um and the opening riff is probably my favorite riff on the whole album. It's so good. It's one of those classic At the Gates riffs that make you turn your face up, you know what I mean?

[00:07:52]Like And it doesn't let up, man. It's It's just hard, and it's in your face for the entire song with stellar riff after riff after riff.

[00:08:08]>> [music] [music] >> And my experience after those first four songs was basically my experience with the album. Um absolutely killer songs, and then a few songs that I found to be a bit mediocre. But the great thing is, I found way more songs that were killer than I did mediocre. So, let's get the ones that I didn't really care for out of the way. Um And Dark Distortion. Um I didn't really love that song, and I can't even really nail down what it was that didn't work for me with that one.

[00:08:51]Um but The Phantom Gospel, that's another song that I didn't really love, but this one I didn't care for the riffs. But the solo that's on this song is quite nice. Now, for the songs that I found to be awesome. Uh Of Interstellar Death.

[00:09:11]>> [music] [music] [music] >> Absolutely killer riffs. It sounds like it could have come from the Slaughter of the Soul recording session, um but at moments it also gives me uh the feeling of like an homage to Eucharist. Um specifically the Mirror World's era of Eucharist. Um Tomb of Heaven.

[00:09:41]Again, super aggressive and in your face for the whole four minutes of the song, and the riff kicking in during the chorus was just super good.

[00:09:52]>> [music] [music] >> Parasitical Hive, uh this one was great, too. But but funny enough, it had elements of what I was talking about with that feeling like The Haunted. But I think it was a perfect mix of the stuff that was happening with The Haunted as well as the classic At the Gates sound, and it came together extremely well. Black Hole Emission was a great song to end the album on. It has some of Tomas's most interesting vocal placements on the whole album. And and again, what they're doing with the riffs here, especially during the chorus, just fantastic.

[00:10:39]>> [music] [music] [music] >> I thought having an instrumental song that goes right into that last song was an interesting choice. Like most bands will stick an instrumental at the beginning of the album, in the middle of the album, or at the very end of the album. But this song felt like they were easing us into the finale. You know, the final moment where we'll hear Tomas's voice for the last time, um at least in this context, right? And I think it was a lovely choice that really paid off. And that's overall how I felt with this album, man. Out of 12 songs, there are only three that I didn't really care for. And and and that's a great average in my opinion, right? And it's not even like I'm saying that those songs are are objectively or subjectively bad songs at all. I'm not saying that. They just don't really fit my personal idea of what I would want an At the Gates album to sound like.

[00:11:51]And that's actually the interesting part about this whole thing. Like this album forced me to stop and check myself. You know, I had to face the reality that this isn't the same band that they were 30 years ago. And why would I expect them to be, right? People change.

[00:12:09]Musicians change. Bands change. And the fans of these bands need to roll with that, you know what I mean? Like this is an evolution of their sound, and it's perfectly okay that it's not the exact same thing that they were doing when they started. They've always been a band that has progressed and changed. But what they're doing is still great.

[00:12:34]Anders and Martin are still pumping out these insanely good riffs, you know?

[00:12:39]Jonas and Adrian are still completely in sync as far as, you know, laying down the backbones to these songs. And Tomas is Tomas, man. You know, this is a great album. They somehow didn't recreate their old sound, but they kept true to the vibe of of what they've been creating over the years. And they were still able to add elements that were different enough to make this album stand out. I can also say that this was a very emotional listen. You know, hearing Tomas doing his thing for the final time, you know, if you didn't listen to this with a little bit of a tear in your eye, then I feel like you're just not human.

[00:13:24]You know, um Tomas gave his all here, and he sounded fantastic. You know, I read that that what we have here are all demo vocals because he found out that he was sick, um and he couldn't go back and record the final version of these of these vocals. And I'm not sure if that's true or not, but if so, it's just a testament to to the amazing vocalist that he was. Like his demo vocals smoke a lot of people's finished product vocals, you know what I mean? He gave it his all here, just like he did with all of his bands. And you hear it, man. He'll definitely go down in history as one of the greatest metal frontmen of all time in in in attitude, in uniqueness, in personality, um in legacy, you know what I mean? Just as much as he will for the sound of his voice itself. And At the Gates will will easily go down as one of uh the most important metal bands of all time, and this was a great send-off for the band, and it was especially a great send-off for Tomas. So, rest in peace, Tomas, and long live At the Gates.

[00:14:47]So, that's going to do it for my review of this album. Thank you, Heavy Metal Urge, for giving me the opportunity to talk about one of my all-time favorite bands, um and to be able to give tribute to someone that was hugely influential on me as well as metal, punk, and hardcore as a whole. So, definitely drop some comments. Um let me know what y'all thought of the album. Um what are your favorite songs off the album, and is this a fitting end for the legacy of the band? I think it is, but I'd love to to hear what y'all think. So, thank y'all for listening. Thank you for watching. Thank y'all for giving a [ __ ] about my opinion for however long this video is, and I will see y'all very soon.

[00:15:37]>> [music] [music]